As with this 18ct yellow gold Victorian brooch, the Italian jewellery brand “Castellani” is a master in towing anyone along to an ancient place where time stood still. The white with blue centre is of exquisite detailed micro mosaic, composed in small square pieces of enamel threads -also called “smalti falti” in Italian. Various gold filigree patterns beam from around the archaic middle. In any means, the letters EY stand for a gesture of caress whether in Greek “Good Health” or in English “Eternally Yours”.

Antique jewellery object group: brooch

Condition: excellent condition

Country of origin: Italy

Style: Victorian – Victorian decorative arts refers to the style of decorative arts during the Victorian era. The Victorian era is known for its eclectic revival and interpretation of historic styles and the introduction of cross-cultural influences from the middle east and Asia in furniture, fittings, and Interior decoration. Victorian design is widely viewed as having indulged in a regrettable excess of ornament. The Arts and Crafts movement, the aesthetic movement, Anglo-Japanese style, and Art Nouveau style have their beginnings in the late Victorian era.

Style specifics: The Grand Victorian Period РExperts divide the reign of Queen Victoria, also called The Victorian era (1837-1901) into three periods of about twenty years each; The Romantic Victorian Period (1837 Р1860), The Grand Victorian Period (1860 Р1880), and the Late or Aesthetic Victorian Period (1880 – 1901).

We consider this to be of the Grand Victorian Period.

This second Victorian period is famous for its ostentatious pieces set with pearls and diamonds (from South Africa). From ca. 1850 wealthy English had reported about jewellery from India and Japan, which heavily inspired the jewellers of this period. This period also corresponds with the death of Queen Victoria’s husband King Albert making mourning jewellery (set with heavy dark stones) the type of jewellery specific for this period.

Period: ca. 1880

Source of inspiration: Pompeii excavation – an ancient city in southwestern Italy (destroyed in 79 A.D. by the eruption of Mount Vesuvius)

Theme: EY – Although not obvious on first sight, these are not Latin but Greek letters. The letters EY stand for “good health” but one could also say it’s the abbreviation for “Eternally Yours”.

Material: 18ct yellow gold

Extra information on the technique used
A “micro mosaic object” is a decorative object or architectural element made from relatively uniformly sized pieces of hard substances fitted together and embedded in a matrix of some adhesive or bonding substance that eventually hardens to hold the pieces in place. The word derives from the Greek word for the Muses, implying it is a form of artistic expression.

SMALTI FILATI: Filati means “thread” in Italian. Smalti filati literally means thread tesserae. The opaque enamel is heated and pulled out to make long thin strands shaped similar to spaghetti or linguini. These are then broken into shorter pieces called tesserae. These originated about mid 18th century at the Vatican Mosaic Workshops.

Smalti – Flat rectilinear tesserae made by pouring molten opaque coloured enamel onto a steel slab, allowing it to cool, and then cutting it into small flat or cubed pieces called tesserae. The smalti are composed of silica, an alkaline substance such as soda or potash, lead, metal oxide colouring agents, and tin oxide for opacity. Opaque tesserae were desirable to avoid a shiny reflective surface when using mosaics as copies of paintings in St. Peter‚Äôs Basilica. Smalti means ‚Äúenamels‚Äù(smalto means enamel) in Italian but used in English as a singular term, enamel. We say micromosaics are made of enamel, not “enamels”.

Support – The supportive backing for the mosaic, its material depending on the size of the artwork. In small pieces such as jewellery, the backing was made of a metal such as a copper tray with a rim, or of glass, goldstone, or small plaques of marble,which were hollowed out to the proper depth to hold the mosaic. For larger-scale pictures, the weight necessitated the use of slate or marble, similarly hollowed out, or iron surrounded by a rim.

Take a look at the picture with the ruler in which we took a close up to show you the incredible degree of excellence of this micro mosaic.

Extra information on Castellani – Fortunato Pio Castellani (6 May 1794 – 1 January 1865) was a 19th-century Italian jeweller and founder of Castellani, an Italian jewellery company.

Castellani opened his first shop in Rome in 1814. He specialised in recreating the jewellery of ancient craftsmen, particularly the Etruscans. Castellani based many of his designs directly on archaeological evidence and often incorporated intaglios,cameos and micromosaics into his jewellery. His work became very fashionable throughout 19th century Europe and his shop was frequented by grand tourists and aristocracy. The Castellani dynasty spanned three generations, who were also noted antiquarians.

Castellani’s life
Castellani opened his first workshop in Rome in 1815. Initially, his designs reflected the fashions of the day and were generally based on French and English jewellery of the period. However, in the 1820s, Castellani began to develop the style for which he would become most famous. In collaboration with his friend and sponsor Michelangelo Caetani – later the Duke of Sermoneta and a noted archaeologist – Castellani began to draw inspiration from archaeological discoveries particularly those of the pre-Roman Etruscan culture.

In 1836, archaeologists discovered the Regolini-Galassi tomb, a particularly important Etruscan find that yielded a large amount of beautifully preserved jewellery. Because of his expertise in the field and his connections with Caetani, Castellani was enlisted as an advisor on the excavation. Much of the jewellery excavated was decorated with granulation – tiny specks of gold applied to the surface. This technique was unknown to 19th-century jewellers and Castellani was inspired by the discoveries to rediscover the lost art.

In the 1850s, Castellani passed management of the family business to his two sons Alessandro (1824‚Äì83) and Augusto (1829‚Äì1914) in whose hands it continued to flourish. The family were keen collectors and in addition to their jewellery business they dealt and restored antiquities extensively. Castellani’s main shop was immediately adjacent to the Trevi Fountain – one of Rome’s most prestigious locations – and incorporated a museum of the family’s collection.
From: Wikipedia

Monogram: Castellani (see pictures for the famous Castellani hallmark – two mirrored C’s)

Hallmarks: None, besides the Castellani sign

Dimensions: diameter 2.40 cm (0.94 inch)

Weight: 7.40 gram (4.76 dwt)